Showing posts with label Public Art. Show all posts
Showing posts with label Public Art. Show all posts

Thursday, October 29, 2009

Mystery History -- Solved


Sometimes you have to get up early on Tuesdays to win Mystery History!

Liz wins with her 7:56 a.m. Tuesday guess "raising or repairing or erecting the war memorial on the corner of Colorado and orange grove next to the Norton Simon Museum."

In the photo above, shot by Howard Ballew on May 19, 1948, a worker painstakingly removes the 135-pound bronze eagle from the top of the World War I memorial flagstaff while sidewalk superintendents look on. (I've always been especially intrigued by the Pasadena police officer and the guy with the stogie.)

The flagstaff had just been removed from the intersection of Orange Grove and Colorado by a giant crane because it had been deemed a traffic hazard.








In a few weeks, after having been cleaned up a bit, the flagstaff would be relocated to the little patch of grass at the northeast corner of Colorado and Orange Grove.

World War I began in April 1917 and ended Nov. 11, 1918. Nearly 2,500 Pasadenans served; 46 were killed in action.

The idea to build the memorial flagstaff originated in 1919 when the Board of Pasadena City Directors established a community committee to shepherd the design and construction of a memorial flagstaff. The $36,000 project was funded by contributions from 2,000 local donors. It was decided that the memorial would be placed in the middle of the intersection of Orange and Colorado to enhance Pasadena's west gateway.

The creative talent for the monument was among the cream of the crop of that period: architect Bertram Goodhue and sculptor Lee Lawrie.

Upon seeing the final design in 1925, Charles Moore, president of the U.S. Commission of Fine Arts in Washington, D.C., said he considered it "the finest flagstaff base in the country if not the world."

The monument was dedicated Feb. 12, 1927.

In 1999 the City of Pasadena submitted an application for restoration funding to SOS! (Save Outdoor Sculpture!), a joint project of Heritage Preservation and the Smithsonian American Art Museum.

The restoration process included removal of corrosion, stains and graffiti plus structural repairs. It took some time, but the results were magnificent! The memorial was rededicated on Veterans Day 2001.

Many of you are aware of the incredible 115-foot-tall monument to Pasadenans who served -- and fell -- in World War I. But if you haven't seen it up close, I really encourage you to park across the street on Green or Grand, then walk the couple of blocks to see the memorial and study every detail. It's truly magnificent.


Seven-foot-tall bronze figures in three-quarter relief go all around the cylindrical base, depicting soldiers, sailors, an officer, an aviator, and a Red Cross nurse helping a wounded soldier. Above them, also in bronze, are a California bear, a ship, a fasces (bundle of rods with an ax, signifying authority) and the names of World War I battles.




The inscription in the granite going all around the base of the flagpole reads:

IN PROUD REMEMBRANCE OF OUR GLORIOUS DEAD
MCMXVII MCMXVIII

You'll also find the find the mark of the foundry -- John Polachek Bronze & Iron Co. Inc./Long Island City, N.Y. -- in the granite.

The cast-bronze eagle is proudly perched at the very top of the flagstaff.


The pole itself weighs four tons and is made of steel overlaid with teakwood and clad in copper.

The memorial is on one of our many public art walking tours.




Many thanks to Los Angeles Public Library.

Monday, September 8, 2008

Public Art is Everywhere


When new development or major expansions are undertaken for public facilities and privately owned commercial buildings (with a few exceptions here and there), the Pasadena Zoning Code requires that public art must be installed, valued at a minimum of one percent of the cost of the building permit.

The installation above is untitled, made of ceramic tile by Gifford Myers on the hillside campus of Art Center College of Design.

Here's one that may be familiar to many of you -- A bench and mosaic by Margaret Nielsen at Paseo Colorado.

Maybe not so familiar is this installation at Caltech: "Water Forms" by George Baker at the Millikan Library pond.

Pauline Kamiyama is our public art coordinator. Everything goes through the Arts & Culture Commission, which conducts a competition for each project, followed by the selection of an artist. Then the commission is responsible for approving a concept that serves as the basis for the public art project.